INTRODUCTION

The traces of our lives are made up of memories that connect us to the source.

“[W]Here Now” reflects on the role of water as a conduit to the essence of our lives. This water constantly flows to map the pathways of our identities and remind us that we all come from somewhere.

Water is a vessel and connection to the source of all life that carries our stories, histories, and power. But where do we go to remember? And how do we know the importance of the importance of things we are re-membering? Because not all memories come from us, but a collective and generational pool of experience.

Our exhibition space becomes this site of memory where we conjure up what is already in us to better understand our place in the world.

Like Toni Morrison puts it –– all water has perfect memory and etched within us all are rivers, lakes, and seas that are trying to get back where they were – The source.

Just like water our artists are mapping out and activating different memories through creating. Neither time nor centuries of oppression have been, and can erase Africans’ true heritage. We’ll always find a way.
DATES: 11 - 17 June OPEN DAILY: 10 - 6PM
 


MARKETPLACE
CINTHIA SIFA MULANGA
The core focus of Mulanga's art is to challenge the representation of Black female subjects by investigating the individual's relationship with space. Space works on multiple levels in Mulanga's artworks; on the one hand, it represents the space itself. On the other, it is symbolic as an extension of the individual. The space embodies the human, morphing into an independent protagonist. As is the case with different facets of the human soul, these multi-spaces exist in one moment, inviting one to reflect and interact with them if and when they are ready. It is in these liminal moments that Cinthia Sifa Mulanga highlights the nuances and complexities of a Black woman's identity in today's world.

Mulanga developed a fascination with the radical self-acceptance and self-confidence that Black women exude despite the systems of white patriarchy that bear down heavily on the conditions set for Black women in accruing visibility, success, and confidence. As such, her paintings also operate as multi-perspectival portraits.



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Supported by: Landis & Gyr Stiftung, SüdkulturFonds, Swisslos-Fonds Basel Stadt
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Supported By: Landis & Gyr Stiftung, and SüdkulturFonds.